Following this success in 2018, Ghinwa grew restless, and again felt the urge for artistic expansion.
She came to meet the renowned Lebanese sculptor, Pierre Karam (from Amchit), and was excited to try this form of art – a complete departure from anything she had previously attempted.
“When I discovered I was good, it gave me energy to do more and more in the world of sculpture,” says Ghinwa.
Ghinwa achieved remarkable success with her sculptures, in very short time.
Before long, she had created statues of Fairuz, Sabah, Said Akl, Omar Sharif, Celine Dion, Amin Malouf … to name a few …
“I was fearless. Pierre Karam was constantly amazed, telling me how audacious and brave I was to attempt such difficult sculptures,” she says.
“I am never scared to try. I am constantly creating figures in clay, then collapsing them. Even if they are good, I know I can always make them again, even better.”
She now divides her time between both painting and sculpting.
“Sculpture takes time,’’ she explains.
“I work only for 1-2 hours at a time on a single sculpture. The hands and arms get tired, but also the eyes, and the interpretation. It’s important to step away for a few days or even a week, and come back with fresh perspective, so as not to overwork the details.”
“With sculpture, you need to know when to stop.”
While the sculpture rests, Ghinwa colors her canvases. She paints in many mediums – watercolor and acrylic – and many subjects – still life, nature, abstract, or a combination of all.